There’s something very satisfying abut Italian swearing. It’s all so percussive and hissing; all those “k” and “ts” sounds. Fluency in obscenities is a skill I respect greatly, and the Italians have it down to an art: the drawn-out vowel sounds, the spitting consonants, combined with flaming eyes and wildly disproportionate gesticulations. It was a display like this, admittedly with a fairly strong Australian accent, that burst from the front seat of our car, lodged in traffic somewhere between Milan and Bologna.
My mate Adam is generally a calm, even-tempered sort of chap. We’ve known each other for 20-something years, from back in our Sydney days. He settled in Italy about ten years ago and seems to be well and truly ensconced. Not only a world class drummer, he’s exactly the guy you need on the ground when you’re a hungry, thirsty traveler. Need a late-morning beer? Adam knows an Irish bloke who runs a liquor store- grab something from their bafflingly large beer selection and neck it on the street outside! No lunch plans? He knows just the spot for that weird local delicacy you’ve been dying to try (this trip it was Pajata and Coratella- google it if you must); a cheeky glass of wine before the gig? Absolutely! A night off in Milan? There’s an Osso Buco joint he’s been meaning to try. We might get lost, ripped off, stranded beside a freeway, but it’ll aways be a good hang. But this was a test.
The Italian Job so far had been a whirlwind. I’d flown into Milan, napped in the world’s smallest Air BnB, played a gig where I was essentially accompanying a table of snacks, napped again, caught the three-hour train to Rome where I played two nights at Gregory’s with the great Joe Magnarelli, caught the train back to Milan, played a couple of gigs, napped again, went to France for a few days, back to Milan for a quick nap, and now we were headed to a gig in Bologna. The fruity language was because the ride that was supposed to take us from Bologna, right after the gig, to a jazz festival some two hours away, had suddenly vanished, and Adam wasn’t happy. It would be 2am, there’d be no public transport, and nobody driving that way. Frantic phone calls were made to festival directors, local musicians, relatives, massage parlours (unrelated), bike rentals, mob drivers, and all for nought.
We arrived at Cantina Bentivoglio, a cavernous restaurant/jazz club in Bologna, where the pre-show meal of mountains of carpaccio and the famous pasta al ragu acted as somewhat of a salve to our gnawing trepidation of the night ahead. We had a ball playing a set of swingers to a large and appreciative audience, from a stage that had previously been graced by jazz legends like Cedar Walton, Kenny Barron, and Mal Waldron; and at the end of the show, Adam had received a message: a solution had been found.
Our ever-patient organist, Niccolo, was to drive us 40 minutes out of his way, and deposit us on a freeway off-ramp, where we were to wait for a man with a trombone (a trombonist, in other words), whom we would trust to drive us to the next gig. Adam and I waited shivering by the roadside, traffic whizzing by, gazing morosely at the terrifying Facebook profile photo of our Apollo- the wild hair, the insane eyes, the trombone- and questioned our life choices. Was this the end of the line? Were we about to be boned? I don’t know how a trombonist would choose to kill his victim, but you can be sure it would be messy, torturous, and boring.
A brown, 90s-model station wagon of indistinct brand screeched to a halt beside us, and Marco* sprang out. Whether his lack of communication was due to his not speaking English, or because the homicidal voices in his head were making it hard to concentrate, we’ll never know, but not a word was spoken. We loaded our gear, vowed to call our mothers more often if we survived, and strapped in for the ride. With a squeal of rubber we were off- speed limits were blithely ignored, other motorists run off the road, corners were taken on two wheels (the front ones!), and a curious whining noise we all assumed came from the clapped out engine, turned out to emanate from me.
I’d like to tell you how the night ended, but some kind of stress response has caused me to block the memory entirely. It seems somehow I survived, although I’ve developed a debilitating stutter. But if anybody knows of Adam’s whereabouts, you should probably contact the authorities. And ask him for the address of that Osso Buco place.
*his real name
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