Of all the people and organizations I deal with, iTunes is the most mysterious. And I work with some freaking oddballs. Somehow my music ends up for sale there, but I have no clue how or why.
Like many independents, I use an outfit called CD Baby to handle digital distribution; their system is easy to use, the prices seem fair, and customer service is excellent. When a tune is ready, I upload it to their site, along with recording and track details, artwork, my family history and physical measurements. They approve all this, list the tune on their site, and send me an email saying they’ve sent it to iTunes. Then we wait. CD Baby suggests that it will take 2 days to appear on iTunes. I’ve seen it happen in hours, weeks, and in the case of my old podcast, never.
In my mind, iTunes HQ is a bit like the Wonka Chocolate factory. It’s giant and old, with imposing fences and signs all around. Nobody ever goes in, and nobody ever comes out. Decisions are made in a theatrically arbitrary fashion by a weirdo in a top hat, and the grunt work is done by underpaid iLoompas. They have golden tickets too, but they don’t really want anyone to find them, so they’re packaged with Nick Hempton Band albums.
In the case of my podcast, I tried for a year to get that bloody thing up. Every idiot and his dog has a podcast on iTunes, and the process seems fairly simple. But if one link in the chain is missed, if one iLoompa is asleep on the job, it seems you’re screwed. Countless emails and phone calls to heads of various departments led nowhere- they all scratched their heads and said everything was in order, and they’d leave a post-it note for Jason in podcasts, but no dice. Eventually I gave up. And really, the world is no worse off for lacking that particular series.
These experiences have given me a sort of awed respect for iTunes; the kind of respect one might have for something that is entirely unfathomable- like, I don’t know, the ocean… Or women. In any case, somehow, magically, all the Hempton Band gear is currently available on iTunes. For now. But tomorrow? It’ll probably still be there tomorrow. But after that? “You should never never doubt what nobody is sure about…”